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Post by talk2santosh on Dec 22, 2003 4:50:51 GMT -5
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Post by meenalputhran on Dec 24, 2003 12:30:32 GMT -5
Hi
I liked the photographs , specially of india Gate very much its beautiful Why dont u click rashtrapathi bhavan its beautiful monument too
The design in one monument is also good as you can see the play of light & shadow
Some design elements 1.Having a focal point
2.capturing the shade & shadow elements
3.Understanding the source of light in your photograh to be clicked whether it is daylight or artificial
4.changing viewing angles to add interest,tht is photgraphing from the top - aerial view or from bottom - worms eyeview or from a different perspective
meenal
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Post by talk2santosh on Dec 25, 2003 1:15:42 GMT -5
Meenal,
Thanks for your suggestion. This I will develop steadily since this happens generally with experience and sharing ideas from those who have interest in photography.
Please share your experience in photography, it would be of definite help to all of us.
Regards,
Santosh
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satish
New Member
"Who Dares, Wins" - Motto of British SAS Regiment.
Posts: 20
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Post by satish on Dec 26, 2003 4:25:33 GMT -5
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satish
New Member
"Who Dares, Wins" - Motto of British SAS Regiment.
Posts: 20
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Post by satish on Dec 26, 2003 4:33:41 GMT -5
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Post by meenalputhran on Mar 6, 2004 6:12:16 GMT -5
For photography lovers, staying in around Delhi , may visit an exhibition on 8th -10 thMarch , information on the foll article
Looking beyond: The women’s vision
At a time when celebrating Women’s Day has become cliched, this one’s going to be different. And this is not a cliched claim. For getting together for an exhibition are 11 women photographers of Delhi (did anyone know there were as many in the city). The exhibition will be on view at the Visual Arts Gallery, India Habitat Centre, from March 8 to 10, before it travels to various schools and colleges in the Capital.
“Photography is still a male-dominated field,” says Sanjeev Bhargava, whose cultural organisation Seher is co-ord-inating the show along with the Delhi Commission for women, “but there are women who’re doing good work. The idea is to focus on their achievements and change the mindset against women.”
Interestingly, most of the participants, including names like Pamela Singh, Anita Khemka, Sheba Chhachhi, Renuka Puri, Sarvesh, and others had never met each other nor the curators, Olivia Arthur and Kriti Arora, before. “There is a variety of photographs in our show, from the conceptual to mere documentation,” say Arthur and Arora about the show that took nearly three months in executing, “but each photographer tells a story in their work.”
“Photography is not so much about technique or talent, as it is about access,” says Pamela Singh, who took the photographs being showcased as part of a book she had planned for 50 years of India’s independence. “For nearly four years, I just forgot everything and travelled across the length and breath of the country, to take these photographs. Some of them may not be very relevant today, but they are sincere.” Singh is now looking forward to her mixed media show, starting on March 23 at Nature Morte Gallery
so Happy Viewing Meenal
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